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## Summary This PR adds the current Stage Godot avatar presentation path: avatar-only same-frame glow plus tuned toon color mapping. <img width="994" height="951" alt="屏幕截图 2026-06-02 015159" src="https://github.com/user-attachments/assets/feb94b95-745f-4b47-aba2-0289dafecd1c" /> <img width="1769" height="1279" alt="屏幕截图 2026-06-02 021212" src="https://github.com/user-attachments/assets/d4437dc2-e859-42ca-b3fd-0a90e55d641b" /> ## Design The implementation uses three layers: 1. Base avatar material rendering still comes from the vendored V-Sekai MToon shader. 2. `StageAvatarGlowRuntime` marks visible avatar meshes through a depth-tested `MaterialOverlay` stencil pass. 3. `StageAvatarGlowCompositorEffect` reads that stencil mask in the same frame, extracts avatar pixels, builds the glow pyramid, composites glare, and applies the current NAES/toon color mapping. This avoids Godot Environment Glow because that path is global. Here, source selection needs to be avatar-specific and controlled by the stage runtime. It also avoids an extra SubViewport path because prior testing showed camera-motion lag. The compositor path keeps the effect in the same render frame. ## Stage Baseline `StageVisualPreset` now keeps the stage environment neutral for this effect: - skybox is visible as background only - skybox does not drive avatar/ground ambient light - reflected light is disabled - Godot Environment Glow is disabled - Godot tonemap/adjustment stay neutral - custom color mapping runs in the compositor ## Notes `StageAvatarGlowCompositorEffect` currently owns both avatar glow and toon color mapping. That is acceptable for this PR because it is the only custom stage compositor today. Before adding rim light, screen-space outlines, or more post effects, compositor ownership should be split from individual features so effects can register passes instead of replacing `Camera3D.Compositor` independently. |
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